The Binding and Control of the Female Form within the Masculine Gaze Essay

The Binding and Control of the female person Form within the Masculine Gaze - Essay ExampleThrough Georgia OKeefe, however, the crosstie of the female form at its most intimate when it is revealed through the aspects of nature allows for a sense of inclination to be viewed without overt angiotensin-converting enzymes of violence or degradation. As the discussion turns to the public sphere, the idea of the female in the spirt place, the concept of control becomes more acutely visible, the photograph of the au naturel(predicate) replaced by the idea of male domination over female office workers whose existence is dependent upon their beauty and sexual appeal. Within the span amongst the mid 19th century to the mid 20th century, the vulnerability of the female form turned from the willingness to take to those chains to the tension of patriarchal subjugation in the public sphere. The female nude has been a cogitation for art for centuries. The nude form reveals human beings at t heir most vulnerable. One of the best examples of this type of vulnerability washbowl be castn in the shape titled The dying Gaul (Figure 1). In order to reckon the human belief in the idea of the nude it is interesting to examine this expressive piece of sculpture from the Hellenistic period. While the original does not exist, antiquity has saved the Roman copy of this piece in order to give to posterity an example of the human view of nudity as it relates to vulnerability. The warrior is nude in order to humiliate him and his homeland, unclothed to denote his weakness without weapons or armor on the field of struggle (Perry, 1882). His death is not complete he lives in the render between life and death as he leans against his hand contemplating the wound that will take his life. He is vulnerable to all things at this point, his potency waning as his body is without protection. In looking at this nude, the viewer can begin to see how the female nude can be understood in rel ationship to her environment. Figure 1 They Dying Gaul (Ancient Encyclopedia History, 2012) The female nude, on the other hand, is in a conflicted state for the viewer. The female nude has the index of her sexuality to move those who view her. Being nude leaves the female in a state of vulnerability, an essential violence on the fringes of how she is viewed. The nude and the romanticized idea of rape are never far from one another as she is represented in a form that evokes fear and sometimes anger. Anger can be found through the fear that her sexuality can motivate, manipulate, and make men violate their proclaim principles in order to get near her in that state. It was, after all, the desire for a woman that launched a thousand ships against the city of Troy. The female nude is in a state of vulnerability, but she also has power and creates a conflict upon the viewer. This element of vulnerability and the conflict of sexual power that is held by women has been a pick for artist ic creation throughout history. In the history of American art, however, the female nude has been a imaginativeness from which to identify the changing roles of the female gender as it has been reflected through